Digital Collage, 2022
01:31 is a visual metaphor for the effect of borders and ideologies on human experiences. Characterised through the censorship of Russian avantgarde movements in the early 20th century within the Soviet Union, modern art was seen as harbouring counterrevolutionary ideas, or misrepresenting state values.
Closely observing the life and legacy of Kazimir Malevich, the founder of the Suprematist movement, this work seeks to re-energise the sentiments of his experiences in a turbulent geopolitical environment, and capture the longstanding ideas, concepts, and techniques he left behind. [ext. text]